issue 1
Koukash Review
2022
Split Seeds
Lehi Naseem
aDread washes over me. She reminds me often how different her life was in her twenties. Her mother did not afford her the patience she has given me and my sisters. In the span of three years, my mother had a career, a husband, and a baby. Meanwhile, there are butterfly hair clips in my vanity drawer and dirty sneakers under my childhood bed where I still rest my head every night. She pats her belly with disdain and complains my sisters and I stretched her once delicate body into what it is now. My body looks just like hers.
I pull my knees close to my chest. “Why don’t we go back home this summer? Just you and me.” Though there are miles between us here, in Kurdistan we are united as if I’m nestled back inside her womb. Uncles and aunts blithely remark how I am the only daughter who resembles her. Our names are called in succession. My presence, the features she gave me, are tender reminders of her youth. But in America, where there is an unwritten competition on raising daughters correctly in our community, the pleasant feelings are replaced with a gnawing reality: her almond eyes, her cheekbones, and her honey hair wasting away atop my unmarried, barren body.
“Ask your sisters.” She shudders with embarrassment at the thought of returning to her father’s home, four withering branches, 3anes, trailing behind her.
My best friend’s nikkah was yesterday. I am the last among my friends with a bare ring finger. They have started to plan dates without me. My problems seem trivial compared to my mother’s therefore I am not permitted to complain. So what if I lose a few friends to their husbands?
I will never understand the pain of escaping a homeland with a man I only met six years prior.
Or how strange it must have been to learn to survive alone in a foreign place where fried food is handed to you through car windows. Over twenty years later, she feels more at home in California than I do.
Whether I am dancing in dimly lit bars with friends I don’t trust or grocery shopping in my village in an abaya with my Uncle’s wife, I am consistently caught between what I am and what I am not. I realize enduring an everlasting diaspora identity crisis is a privilege. I could be in Kurdistan under the thumb of incompetent leaders, under the rubble of imperialist destruction, or nearly as horrifying, under a husband my parents have vetted for me.
Before my mother longed for a single son-in-law, she dreamed of giving birth to a son. Like an unforgiving avalanche, I blessed my family with the shivering disappointment of femininity. And like the heavy silence after a disaster devastates land, I was the fourth and final daughter. My existence evidence of my parents last failed attempt at building a sufficient family.
I envision a life where I was born a son—tall and charming with obscure hobbies not intended to pad my potential as someone’s spouse. Maybe she would like me then. I imagine we’d laugh more and I’d spend less time inside my own head.
The house is quieter than ever before, a family of six only a trio now. I fear if I leave home, I will lose the last thread connecting us. I often wonder what kind of person I’d be if I came from a vibrant family like the ones in Arab cinema: loud, playful, and intimately interwoven. Most of my nights are spent wishing my sisters were kinder to me or my father could carry a conversation longer than fifty-three seconds without arguing. I dream about my mother telling me her regrets, joking about her past lovers as they do in American sitcoms. I pray one day she’ll see me as more than a reflection she can openly criticize.
I’ve inherited my father's stoic nature. Soft-spoken and unsure, I never believe men when they tell me I’m pretty. I grew up the youngest in a family full of women who were taught to hate themselves. My mother has never been fond of the way I cut my hair short or how I apologize for things out of my control. I fear she resents me for showing her an ordinary woman in Kurdistan is still ordinary in America. Unremarkable women tend to be forgettable wherever they go.
I carry the empty glasses and bowl of split seeds into the kitchen. At times, I picture my mother exhausted, her body aching in a hospital bed. Snickers of women with herds of sons drown out my desperate cries for her milk. Only a few hours old, I am freezing and hungry begging for affection from a woman who has nothing left to give. A glimpse of us: a mother yearning for a life unmarred, a daughter yearning for her mother. The two of us frayed from the beginning.
Lehi Naseem
Lehi Naseem is a Kurdish-American writer based in Southern California. She received her B.A. in English Literature from San Diego State University where she was the President of the Kurdish-American Student Organization and Co-editor of the literary journal Demitasse. Her first collection of poetry When It Rains Daffodils (2020) debuted at #1 on Amazon’s New Releases in Middle Eastern Poetry. She is currently working on writing her first novel.